A day in the studio: dubbing a 12-episode series
From script adaptation to final mix, here's how one episode actually moves through a full Arabic dub, the people, the rooms, and the small decisions that never make the trailer.
A dubbing day looks calm from the hallway and is anything but. Below is a real rhythm from a 12-episode drama, condensed into a single day so you can see how the pieces hand off.
The shape of a studio day
- 08:30, Script lockThe adapter and director walk the episode, settling idioms, names and any line that has to be rewritten rather than translated.
- 10:00, Casting checkVoice matches confirmed against the original cast; a stand-in reads any role still being finalized.
- 11:00, Recording, reel 1Talent records to picture; the director rides timing and performance line by line.
- 14:00, Recording, reel 2Pickups from the morning are re-taken while the room is still warm.
- 16:30, Editing & syncEditors tighten sync to the frame and clean breaths and plosives.
- 18:00, Mix & QCDialogue is balanced against the M&E stems; QC flags anything for tomorrow's pickups.
Who's in the room
- The director, owns performance and timing, the single point of taste.
- The adapter, makes the translation speakable and lip-aware.
- The talent, carries the character across the language.
- The engineer, protects technical quality every take.
Quality control, continuously
QC isn't a gate at the end of the series, it runs every day, so a recurring issue is caught on episode two, not discovered on episode eleven.
The magic isn't any single step, it's that everyone in the chain can see the same episode at the same time, and nothing waits overnight for a decision that could happen now.






